GAY SHORTS Part 2: WE ARE FAMILY

(Open Theatre Project, 2018)

"The delightful and very funny mother/daughter scene in A Little Experimenting is an ideal way to end Gay Shorts. We see two sides of Caroline Keeler during the evening. She’s tense and cautious in the tiny potboiler Red and the Wolf, but in the wrap-up script her comic timing and expressive face invigorates the role of the daughter. " -- David Greenham (The Arts Fuse)

 photo credit: Matt McKee Photography

photo credit: Matt McKee Photography

 

FIRST LOVE IS THE REVOLUTION

(Apollinaire Theatre Company, 2018)

"...it’s a shame that the chickens—played with show-stopping hilarity by Caroline Keeler and Liz Adams—had to die; some of the evening’s best laughs belong to Keeler’s riotous portrayal." -- Christopher Ehlers (DigBoston)

"...the choice to cast veteran Boston actors Liz Adams and Caroline Keeler as grass seed-obsessed chickens is inspired (they’re hilarious)." -- Michael Hoban (Theater Mirror)

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MIMECAST

(Cramer, 2017)

Check out some of my moments from MIMECAST's latest campaign featuring Amanda Crew from HBO's Silicon Valley! This shoot was a blast, and everyone was so lovely to work with. Many thanks to Cramer Productions and Slate Casting!

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PENNY PENNIWORTH

(Titanic Theater Company, 2017)

"Caroline Keeler is wonderful as the hapless, penniless child who must navigate a world of sleazy opportunists and ruthless predators." -- Beverly Creasey (Boston Arts Review)

"The comedic timing and comic virtuosity of Caroline Keeler, Isaiah Plovnick, Brooks Reeves, and Ashley Risteen is beyond marvelous as they perform their way through a multi-referenced, Charles Dickens inspired spoof of convoluted proportions."       -- Susan Mulford (Boston & Beyond)

 

AMADEUS

(Moonbox Productions, 2016)

 "...perfect tapestry of art blended with history... a production that engages from start to finish, flowing with seamless dialogue." --Susan Mulford (Boston & Beyond)

"...Caroline Keeler in a lovely, spunky performance." --Beverly Creasey (Boston Arts Review)

"Sloan and Caroline Keeler (Mozart's wife Constanze) have chemistry as young lovers and when the bloom fades off the romance. She is also making her Moonbox debut and it is an impressive one." --Nancy Grossman (BroadwayWorld)

"Caroline Keeler has the right combination of loving support and tenacity as Constanze."--Jules Becker (South End News)

"...She's the realist in their relationship, playing up Constanze's increasing bitterness as their fortunes diminish. She is best in her private negotiations with Salieri, cruelly aware of what she has to bargain with, as she offers herself to the composer on her husband's behalf." --Josh Garstka (Talkin' Broadway)

Photos from AMADEUS courtesy of Earl Christie Photography